The Allure of the Guitar

Originally Written for Medium – Edited and Expanded for this Post

I didn’t start playing guitar until I retired twelve years ago. I had just moved from my long time home in Southwest Colorado to my last job as regional director for a large engineering company in Pennsylvania. I’d been having back trouble for years, but it was during that move that things got serious. I was more than a little concerned about starting a new, high profile job while my back had begun to spiral out of control. I had seen enough specialists over many years, including a recent visit with a spine surgeon in Durango, to know that I would now be in need of a major corrective surgery.

Some of my Favorite Acoustic Guitars

I began my new post and could immediately tell that it was going to be hell. Loads of responsibility and pressure trying to turn water into wine. By now, I was in serious need of seeing a pain specialist and getting some help with the quickly deteriorating circumstances. Soon my situation became untenable. I’d come from Colorado a well conditioned athlete and mountain bike racer but now it was all I could do to sit through my fourteen hour days. The company had located a wonderful home for our two-person, two dog family and we moved in. But I was immediately in need of finding a place closer to work to mitigate the fairly long commute, which meant more sitting. By far, the most uncomfortable thing I could do to my body was to sit for long periods. The walls containing my life were collapsing all around me. I finally found a pain management clinic that would squeeze me in. Unbeknownst to me, there was a war going on and it was called the “Opioid Crisis”. At least in Pennsylvania, with some of the harshest laws covering the transfer and sale of oral opioids, it was like playing musical chairs and when the music stopped, I would be left standing without a chair. Clinics were booked solid and doctors were being forced to discern how much pain a given patient might be in while interrogating them to see if their pain was real or whether they were exhibiting “drug seeking behavior”, which closely mimicks being in severe pain. I was refused by three clinics before a doctor agreed to take me on as a genuine pain patient. At this point, I’d only been in Pennsylvania for three months and was already fighting to be able to perform well enough to keep my job and all that I had gambled when I left Colorado. The country was deep in the throes of a major recession, largely due the “House Mortgaging Crisis” which had been two decades in the making, and virtually every industry, including mine in oil and gas, was hurting and solid engineers in my particular field (natural gas development) were being laid-off left and right, which is why I was forced to make such a faraway move at such a bad time for me and my rapidly declining spine. I had lived and worked hard making my way in Colorado for thirty years. To me, it was the end of an entire way of life. Just a few months prior to the move, I had simply gone in to see our local family doctor in Colorado and was, with no trouble at all, given a prescription for the very same medication that I was now fighting for my life to renew. I was fortunate that I’d found a pain clinician who, after seeing X-rays, an MRI, and a CT-scan could see how badly I needed surgery, as my lower lumbar spine was completely decimated from years of concussive sports. He wrote a script for just enough medicine to just take the edge off so that I could at least get a few hours of sleep at night and continue working while attempting to locate a reputable spine surgeon. But, make no mistake, the pain was still bad enough that I could barely sit at my desk, let alone travel to and from Houston, something required for my new position as the company was headquartered there, and I reported to the CEO.

It was at this time that I was compelled to find something pleasing to concentrate on to keep my mind off the pain. Since I’d always looked to numerous mountain sports and activities for stress relief and to maintain a semblance of work/life balance, but was now having serious difficulty with short runs and was forced to exchange my runs for short walks, what I was looking for was something immersive enough to help me relax and fend-off the profound associated stress and vastly debilitating anxiety. I had been saving two time-intensive passions to dive into after retirement as I’d done just enough of each over my working life to have a burning desire to take them up when I finally had the necessary time to commit. One was to learn to play and become an accomplished guitarist, and the other was creative writing. As a function of my career in engineering, I had become a highly proficient technical writer, but since taking some literature and writing courses in college, which I had enjoyed immensely, I had had an overwhelming desire to one day pursue creative writing as an avocation. This, too, would have to wait until retirement as becoming an accomplished creative writer doesn’t happen overnight. I decided to continue to put the writing on hold as I wasn’t yet ready to retire in earnest and had hoped to get my back under control and continue working for another four or five years, but I thought that learning to play guitar would help get me through this very difficult period and would be something that I would continue pursuing while finishing up my working life.

No sooner than I had made the decision, my wife and I went to the nearest Guitar Center while I spent an entire Saturday working closely with the store’s assistant manager who, himself, was a gifted and regularly gigging guitarist. We had found a surgeon at the University of Pittsburgh whom I believed could do the work but my surgery wasn’t scheduled for another two months. I needed this change in my life in the same way the desert requires an occasional rain to sustain its own extremely beautiful life force. Years ago, I’d played a bit of acoustic in college and decided that I would initially pursue electric guitar. By the end of the day, I had settled on a very limited edition “Old Growth” redwood Fender Telecaster, the very first guitar to have caught my eye on that momentous day, a good quality tube amp, and everything I would need to get started. Even with the severe pain, I felt an overwhelming sense of elation! We got home and, though it took me two hours to get everything setup in the manner I was instructed by the uniquely helpful and super-knowledgable Guitar Center employee, I got everything set up to be able to play the next day. I went to bed completely exhausted from what had been a long day considering the horrible condition I was in. Exhausted, but full of hope and desire.

As worn to a nub as I was, I couldn’t wait to wake up the next morning and try my hand at playing. That day turned out to be epic as I played until my fingers bled (I’m being completely honest about that!) and played went on to play some more. It was nightfall before I quit for the day. I remembered more than I’d have thought from my bits of playing acoustic guitar in college and found something I’d never known about myself. I could play by ear. I never knew what that meant until I played to a bunch of old favorites and turned Pandora to a blues-rock station where I attempted to play lead along to each song and found myself putting together many of the notes and fitting them in nicely to match the lead guitar on the song. As with all things, there is a spectrum when it comes to playing by ear. Let’s just say that I could do it well enough to thoroughly enjoy what I was doing. Most people spend months, or even years, working on music theory and learning basic chords before enjoyment takes the place of frustration. For me, frustration would come much later when I’d gotten to be a reasonably good player but I was now attempting more complicated things, so the learning curve slowed and got steeper. Time was coming up on my surgery date and the surgeon had instructed me to prepare myself for a long and painful recovery. I was thankful for getting into guitar when I did because I would need it for what would end up as years of chasing pain and having other surgeries, six in the course of the following twelve years. I was forced to retire during the height of my career with just a few more years to go before I could retire “comfortably “. Times got pretty rough and I’ve all but completely lost myself at times, occasionally falling into deep despair from the pain and associated depression, but as bad as things got, I continued to play and began expanding my newfound avocation into buying, selling, and collecting guitars to an extent that my fascination with the guitar would become an obsession. I would read about the history of guitars and learn all about the market for vintage acoustic guitars by Martin and Gibson. I became an “enthusiast” and an expert on vintage acoustic guitars all while my playing continued to get better. I’ve been playing for almost fifteen years now and have developed an equal love of playing acoustically. Today, I’m roughly 50/50 with equal time playing both electrically and acoustically.

Aside from problems with my back, I would have a half-dozen major health issues to contend with, three playing out as near-death experiences. Several of the presiding doctors over the gruelling period have made wonderfully compassionate observations as to my inner strength, resilience, and unique ability to endure under the most demanding of conditions. I have spent long periods of time where it was only by the grace of God, support from my family and a very small circle of friends, and my love for making music that I made it through. I had three major surgeries in 2023 alone. One, another spine related surgery and two that had to do with other long-term life threatening illnesses. In the aftermath, I had to relearn how to walk and, on most days I still use a cane to get around. But through it all, there were my guitars standing at the ready to help me through the worst of things. Then, there is my wonderful wife and three fine dogs. I’ve spent a lot of time learning how to live mindfully and being thankful for the things that matter most.

But nothing has gotten me through these difficult times like remaining positive and playing the guitar like there’s no tomorrow. It wouldn’t be a stretch for me to say that my love of guitar and making music have saved my life several times over. When I occasionally reflect on all that has transpired, I can only hope and attempt to draw strength from what I have already accomplished as I am currently battling bladder cancer, the one remaining illness that I have yet to conquer. I was diagnosed in mid-2024 and had two surgeries and a failed form of frontline treatment, yet I still had a seven month period of remission only to have it reappear. Over the last six months, I have had two more surgeries to remove two more tumors, the most recent was just a month ago. This time, it was the smallest tumor yet, caught early. I have a follow-up “scraping” surgery in a month (to make sure my surgeon gets all of it), and have just begun a second, less efficacious form of treatment called systemic immunotherapy. It is given through an IV for two-to-three hours at my oncologist’s clinic in Austin, every third Friday for a period of twelve months. I do not know if I have enough gas in my tank to beat this last, most pernicious illness, but I’m going to give it everything I’ve got left. I still have “places to go, and people to meet” and am not nearly done with the things I hope to accomplish in my lifetime.

As always, good thoughts and prayers are more than welcome and are always deeply appreciated…from the bottom of my heart!

Thanks for reading!

If you could save only one guitar from a burning house, which one would it be?

Originally Posted on Quora

I hadn’t posted anything on Quora since around Thanksgiving last year, but jumped on to find a post I’d written at some point during that June or July. This typically fun to answer question was in my feed from one of the guitar-oriented “Spaces” for which I had been a regular contributor, so I couldn’t resist. As is often the case, I dove in a little deeper than I’d intended.

Though this question has been asked many times here on Quora and every guitar forum I’ve been on over the years, I never find it easy to answer. The proverbial “Burning House” guestion is quite different from the “Desert Island” question primarily because we’re talking about the complete destruction of a person’s guitar collection, whether it consists of three, or thirty guitars. Perhaps they have just one cherished guitar, in which case the question becomes easy to answer. I had a quick peek at another player’s answer and I feel the same way about my dogs as he does about his cats…yes, I would shout at the top of my lungs: “Please take any or all of my guitars while I go into the fiery house to fetch my dogs!”.

My ’66 Martin D-18 has certainly earned the right to be saved first, as it has already stoically survived sixty-years on the planet. But my deepest connection is to my very first guitar, a 2011 “Reclaimed Redwood” Fender Telecaster made from an appropriation of timbers Fender acquired when the famed Brown’s Canyon Bridge (built during the Gold Rush, in 1850’s Northern California) was being dismantled due to obsolescence (a narrow-guage railroad trestle bridge that hadn’t felt the weight of a train in many decades), neglect (as a national treasure), and obvious safety considerations (a high-risk accident just waiting for the last hiker to attempt a crossing).

The Fender “Reclaimed Redwood” Telecaster story is really quite fascinating, in part because it remains difficult to this day to separate fact from fiction. I’ll provide this summary : While a sizable fraction of the 500 Telecasters (and 500 like Stratocasters) were crafted from the dismantled Brown’s Canyon Bridge, there was some significant percentage that were crafted from “Reclaimed Old Growth” redwood timbers sourced elsewhere. There was no plausible explanation for the error and the story was essentially and quickly snuffed by Fender. There were more than enough timbers to craft the entire production run of 1,000 “Brown’s Canyon Old Growth Redwood” Telecasters and Stratocasters, so it remains a mystery as to what happened and where those “other” timbers came from.

Few people are aware of this, but these guitars are highly collectable, but it calls into question which guitars were actually from the Brown’s Canyon Bridge, and which one’s were not. If you’re a Telecaster (or Stratocaster) collector, this is something you should be aware of as the true value of these guitars is questionable. Taken as a whole, they have risen considerably in value. But, as a real Fender collectable and historical artifact (to railroad enthusiasts, the Brown’s Canyon Bridge was known worldwide and should have been cared for as a National Historic Landmark) these guitars have risen in value on two distinctly different levels. When this occurs with any valuable collectable item, the lower value is taken to be the correct one.

I googled the story using several different searches just now, and there is nothing that comes up (anymore) which describes the entire story other than a post I wrote for my blog a few years ago. The post is chock-full of great photos of my own Fender “Brown’s Canyon Bridge” reclaimed redwood Telecaster. Here is the link:

https://lessonsfromastone.com/2024/03/30/fender-reclaimed-redwood-telecaster/

My collection grew quickly from that first electric to many more guitars, both electric and acoustic, but that redwood Telecaster would have to be the one I would retrieve from the flames of Perdition. And not only for nostalgic reasons. It remains the best playing, most storied, and rustically beautiful guitar I own. It is also at least a half-pound lighter in weight than any other electric guitar in a collection of electrics curated, in large part, for weight. Though I do have a nine-and-a-quarter pound Les Paul, it is what I would refer to as a “statistical anomaly”. But who has a respectable guitar collection (on the electric side of life) without having at least one Gibson Les Paul?!

2011 Fender “Telebration Series” Old Growth Redwood Telecaster. The special neck plate supposedly separates the guitar from the others, as described. I have not been able to confirm this, but there was more information available online immediately after these guitars were launched onto the marketplace and I had read that there were two differing neck plates, one without the engraved redwood tree. Much of that early information seems to have been lost to time.